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Describe what patrons valued in artworks during the Renaissance? How did what was important in paintings during the early Renaissance change as the period progressed?
How did the conception of the artist evolve during the period of the Renaissance?
What is the stereotype or “myth” for the biography of a “master” like Michelangelo or Leonardo? How are their biographies presented similarly in The Agony and The
Ecstasy and Da Vinci’s Demons. How does the identity of the “master” serve as a metaphor for Florentine civic identity?
Can you think of a contemporary celebrity or other public figure that conforms to the biographical template for the “great artist” advanced by Donahue?
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