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Transnational cinema in a contemporary context

Transnational cinema in a contemporary context

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What is meant by “transnational cinema” in a contemporary context? How does it differ from earlier types of cinema in terms of production, distribution and reception? Discuss this question in relation to ONE of the following:
-Chinese martial arts cinema
-art house festival films from the Asia region
-the films of director Ang Lee.
-Bollywood films

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